Film review: The Fits is bold in its simplicity
The Fits is a naturalistic slice of life. It’s not a deep dive of a character study but a more simple snapshot of a real community.
The Fits is a naturalistic slice of life. It’s not a deep dive of a character study but a more simple snapshot of a real community.
Sonita is not merely documentary that you watch but a film that invites an active involvement from viewers as a form of engagement.
Stunning black and white cinematography encompass this tale of a simple Tibetan sheep herder named Tharlo.
(T)error is a true documentary, and the FBI has no idea that their undercover informant has a documentary crew filming from beginning to end.
Sixty Six is a compilation of 12 shorts assembled during the years of 2002-2015 by Los Angeles-based artist Lewis Klahr.
Pairing uncertainty resulting from the aftermath of the American Civil War with the fear of being female in a male-dominated world.
Directed by Gavin O’Connor, Jane Got a Gun is a highly stylistic western which draws on elements of the classic western.
Director Taika Waititi (Boy, What We Do in the Shadows) returns with a new offering and it’s an absolute bloody gem of a film.
Addy Fong studies two films from “Essential Independents: American Cinema Now” festival.
In Transit is a film which documents the ordinary in a way that is both beautiful and intimate. It’s an inviting watch containing a simple premise.
Florence Foster Jenkins is a film which makes you realise that it doesn’t matter if you are more or less talented then those around you.
Eye in the Sky explores the newfound mundanity and shifting political concerns of murder in the detached world of drone warfare.