Review: Happy End at Sydney Film Festival
Michael Hanake’s Happy End is not a happy film, presenting to a us quite bleak observations on the life of a family living in Calais.
Michael Hanake’s Happy End is not a happy film, presenting to a us quite bleak observations on the life of a family living in Calais.
Unfortunately, the reality is that the comedic licence expressed by The Other Side of Hope is hauntingly close to the truth.
We sent Addy Fong to the State Theatre screening of Una at Sydney Film Festival. Check out her photos and review.
Amat Escalante’s The Untamed does not hold back in its portrayal of sex as something that evokes both fear and curiosity.
20th Century Women explores the nature of what it means to grow up amongst cultural change, where conflicting ideologies surface.
Mia Hansen-Løve’s ‘Things to Come’ reassures us that the opportunity of reinventing oneself is all about perspective.
Berlin Syndrome tells of the complex relationship that emerges between an Australian photographer and charismatic Berlin local.
Dust off your winter coats, polish your best shoes and set these dates in your diaries, for Sydney Film Festival is on again.
Written and directed by Jeff Nichols, Loving tells the story of an an interracial couple in the 1960s and their mistreatment.
Toni Erdmann is a genuinely funny film. It garners its laughs from its strangeness, its awkwardness, its silliness and its surreality.
In Jim Jarmusch’s most melancholy indie tome to date, Adam Driver plays a 30-something bus driver in Paterson, New Jersey.