Australian hip-hop artist Seth Sentry is back with a different vibe for his new longplayer, Strange New Past. It’s a mind-boggle. There’s a creative mixture of the classic cheekiness Sentry encompasses, as well… Read More
Elaina Ransford reviews the tenth studio LP from Busdriver, which follows his highly-acclaimed 2012 release, Beaus$Eros: Perfect Hair (a fantastic and apt title) is a bass-heavy, heavily 90’s influenced album that is, at… Read More
Iconic, Grammy-award winning singer-songwriter, Sinead O’Connor, is back with her tenth studio album. But is it any good? Let’s find out: It’s been more than seven hours and fifteen days since I’ve truly sat down to… Read More
Damon Collum approaches the latest longplayer from Australia’s Sia with high hopes: People often appear to be on different wavelengths, and the trajectories their lives take them on are almost visible as colourful… Read More
The new longplayer from Brooklyn-based band, The Antlers is out. And its awesome. Familiars, their fifth studio album, sees the band further explore the emotionality and spirituality of love and humanity, with a palette of… Read More
Released two years after her breakthrough album, ‘Tramp’, ‘Are We There’ is the record we’ve been waiting for. Haunting and filled with harmonies, Sharon Van Etten created the record with producer and kindred sprit Stewart… Read More
Liana Gow-Killingbeck checks out Kishi Bashi’s latest longplayer: Kishi Bashi’s debut album, 151a, was one of my favourite, most played albums of 2012. Upon first hearing it, I remember being so startled by its… Read More
The Whigs were among my favourite bands of the 90s. Though part of the grunge explosion, their brand of muscular, masculine and misanthropic alt.rock had an altogether different feel to it. The influence… Read More
California-based electronic producer and artist, Mtendere Mandowa, better known as Teebs, makes his return with his sophomore album. Jess Matthews checks it out: It was with a lazy expectancy and a classic case of… Read More
The War on Drugs, the Philadelphia-based project of the talented Adam Granduciel, have just released their third full-length album. Released via the wonderfully savvy folk at Inertia Records, it’s called Lost in the… Read More
In the summer of 2012, Dee Dee Penny withdrew into herself and her New York apartment like a silkworm with the explicit intention of weaving a new, regenerative musical tapestry. Closing the book on previous release,… Read More
We trust The Guardian pretty much unequivocally, so when they describe someone as “The junior Brian Eno of experimental UK pop,” that artist is guaranteed our attention. When our buddies at Time Out talk… Read More